09.48
DGM HQ.
A misty morning in the valley. Car loaded and ready in the DGM Parking Lot I…
II...
… for a journeying to Dartmoor.
E-flurrying. Leaving Mr. Stormy at work in DGM SoundWorld II I…
II...
III...
Mr. Stormy knows that, even for drummers, idle hands pave the highway to The Basement. So, while listening to various archive bleeping-and-droning materials he sets himself to become an even better drummer than was the case yesterday I…
II...
This overseen by the Venal, Heartless, Raging Employer…
… with cruelly-pressed employee…
… feigning good-humour to enhance the likelihood of continuing employment.
Off to SAM.
14.47 Super Audio Mastering, Monk’s Withecombe, Dartmoor.
A final conversation with Butcher Fry, and off. Arriving at SAM c. 12.35.
A very tasty Monk’s Withecombe lunch of quiche, vegetables and salad. Over to the studio I…
II...
III...
… who are now Apple approved iTunes masterers.
Continuing from my last visit: mastering Beat in 5.1 surround.
18.29 Requiem is now in extended form, plus bonus track: On The Road, a grooving instrumental Ade didn’t get around to using for a song.
The conventional wisdom, on mixing in surround, is to aim for the sweet-spot in the centre. The sweet spot on Beat is outside the squared-circle, between the rear speakers.
21.26 In the excellent accomodations, e-flurying enough.
22.00 A valued friend is undergoing major surgery in the US at this time.
22.20 A little practicing before…
DGM HQ.
A misty morning in the valley. Car loaded and ready in the DGM Parking Lot I…
II...
… for a journeying to Dartmoor.
E-flurrying. Leaving Mr. Stormy at work in DGM SoundWorld II I…
II...
III...
Mr. Stormy knows that, even for drummers, idle hands pave the highway to The Basement. So, while listening to various archive bleeping-and-droning materials he sets himself to become an even better drummer than was the case yesterday I…
II...
This overseen by the Venal, Heartless, Raging Employer…
… with cruelly-pressed employee…
… feigning good-humour to enhance the likelihood of continuing employment.
Off to SAM.
14.47 Super Audio Mastering, Monk’s Withecombe, Dartmoor.
A final conversation with Butcher Fry, and off. Arriving at SAM c. 12.35.
A very tasty Monk’s Withecombe lunch of quiche, vegetables and salad. Over to the studio I…
II...
III...
… who are now Apple approved iTunes masterers.
Continuing from my last visit: mastering Beat in 5.1 surround.
18.29 Requiem is now in extended form, plus bonus track: On The Road, a grooving instrumental Ade didn’t get around to using for a song.
The conventional wisdom, on mixing in surround, is to aim for the sweet-spot in the centre. The sweet spot on Beat is outside the squared-circle, between the rear speakers.
21.26 In the excellent accomodations, e-flurying enough.
22.00 A valued friend is undergoing major surgery in the US at this time.
22.20 A little practicing before…
